by Alice Davis
Over 60% of custom apparel orders placed online involve quantities of 24 pieces or fewer — and that number keeps climbing. If you've been researching different types of t-shirt printing methods, you've almost certainly encountered the term DTG. So what is DTG printing, exactly? Direct-to-garment printing uses modified inkjet technology to spray water-based ink directly onto fabric. No screens, no transfers, no minimum orders. You load a shirt, send a design file, and the printer does the rest. It sounds almost too convenient — and for some use cases, it genuinely is the best option available. But it's not magic, and it's not always the right call.
The technology has matured considerably since its early days. Modern DTG printers from Epson, Brother, and Kornit handle complex gradients, photographic images, and unlimited colors in a single pass. For small-batch work — think 1 to 50 pieces — DTG eliminates the setup costs that make screen printing prohibitively expensive at low volumes. But you'll pay more per shirt, and not every fabric plays nicely with the process.
This guide breaks down exactly how DTG works, what it costs, when you should use it, and when you're better off choosing something else entirely.
Contents
Understanding what is DTG printing at a mechanical level helps you predict results. The printer is essentially a large-format inkjet — but instead of paper, you're feeding it a garment mounted on a platen. The print head moves back and forth, depositing CMYK ink (plus white ink for dark garments) directly into the fabric fibers.
The process follows a consistent workflow:
Total production time per shirt runs 2–4 minutes depending on design complexity and whether white ink is needed.
Dark-colored garments require a pretreatment solution sprayed onto the print area before printing. This liquid creates a bonding layer so white ink adheres to the fabric instead of soaking through. Skip this step and your whites will look washed out immediately. Pretreatment adds about 30 seconds per garment plus drying time, and the solution itself costs roughly $0.25–$0.50 per shirt.
DTG inks are water-based pigment inks. They bond best with natural fibers — 100% cotton is the gold standard. Cotton-poly blends work but produce slightly less vibrant results. Pure polyester is a problem: the ink sits on top rather than absorbing, leading to poor wash durability. For polyester, you're better off exploring sublimation or infusible ink methods instead.
DTG is the right tool in specific situations. Use it when:
Skip DTG when:
The sweet spot is complex, full-color artwork in quantities of 1–24. That's where DTG has no real competition.
Pricing transparency matters when you're deciding between methods. If you're running a small operation, understanding these numbers is just as important as knowing how to price your custom t-shirts for resale.
| Cost Component | White Garment | Dark Garment | Notes |
|---|---|---|---|
| Blank garment | $2.50–$5.00 | $2.50–$5.00 | Gildan 5000 or Bella+Canvas 3001 |
| Pretreatment | $0.00 | $0.25–$0.50 | Dark garments only |
| Ink cost | $0.50–$1.50 | $1.50–$3.50 | White ink is expensive |
| Labor (load/unload/cure) | $1.00–$2.00 | $1.50–$2.50 | ~3 min per shirt at $30/hr |
| Machine depreciation | $0.75–$1.50 | $0.75–$1.50 | Based on 10,000 prints/year |
| Total cost per shirt | $4.75–$10.00 | $6.50–$13.00 | Before markup |
If you're outsourcing to a DTG fulfillment service rather than printing in-house, expect to pay $8–$18 per shirt depending on print size, garment brand, and quantity. The economics flip around 25–30 units — beyond that, get screen printing quotes.
Pro tip: Always request a test print on a dark garment before committing to a large order. White ink behavior varies dramatically between printer models, and a washed-out white base layer ruins the entire design.
The Epson F2100 and Brother GTX423 dominate the entry-level market. These machines handle 30–50 shirts per day comfortably. At this tier, you're doing everything manually: pretreating by hand with a spray gun, loading garments one at a time, and curing with a standard heat press. It works. But it's slow.
Once you're printing 100+ shirts per day, you'll want automated pretreatment machines, a conveyor dryer, and possibly a dual-platen setup. The Brother GTX600 and Kornit Breeze fit here. Your per-unit cost drops significantly because labor becomes more efficient.
Industrial DTG systems from Kornit Digital can handle thousands of prints per day with minimal manual intervention. These are the machines behind major print-on-demand fulfillment centers. Unless you're processing 500+ daily orders, you don't need this tier — outsource to someone who has one.
DTG quality depends more on preparation than on the printer itself. Follow these rules and you'll avoid 90% of the complaints you see in printing forums:
One often-overlooked detail: humidity matters. DTG inks behave differently above 60% relative humidity. If you're printing in a garage in Florida, invest in a dehumidifier. Your nozzle clogging problems will drop dramatically.
Proper care instructions make the difference between a print that lasts 50 washes and one that cracks after 10. Include these instructions with every order you ship:
A properly cured DTG print on 100% cotton should survive 40–60 wash cycles before noticeable fading. That's comparable to mid-range screen printing. Where DTG falls short is abrasion resistance — the ink sits closer to the surface than plastisol screen ink, so prints in high-friction areas (like waistband labels) wear faster.
White ink contains titanium dioxide particles that settle when the printer sits idle. Run a head cleaning cycle every morning before your first print. If you leave the machine unused for more than 48 hours, do an extended purge. Some operators gently agitate the white ink cartridges daily — it sounds tedious, but it prevents thousands of dollars in print head damage.
Horizontal lines across your print indicate a clogged nozzle or misaligned print head. Run nozzle checks first. If cleaning cycles don't resolve it, the head may need manual cleaning with distilled water and lint-free swabs. Never use tap water — mineral deposits will permanently damage the head.
Nine times out of ten, this is a pretreatment issue. Either the coverage was uneven, the pretreatment wasn't fully dried before printing, or the solution was expired. Pretreatment liquid has a shelf life of roughly 6 months once opened. Date your bottles.
Under-curing is the most common culprit. Verify your heat press temperature with an infrared thermometer — don't trust the built-in gauge. You need 330°F actual surface temperature for a full 90 seconds with firm pressure. Light pressure doesn't cut it.
DTG is the best available method for single-unit orders. There's zero setup cost beyond loading the garment, so you pay the same per-unit price whether you print one shirt or ten. Screen printing requires screens that cost $25–$50 each, making single shirts impractical.
A properly cured DTG print lasts 40–60 washes before visible fading. High-quality plastisol screen prints can exceed 100 washes. For everyday consumer use, DTG durability is perfectly adequate. The difference only matters in industrial or uniform applications with frequent laundering.
Technically yes, but the results are poor. Standard DTG inks don't bond well with synthetic fibers, causing fading and cracking within a few washes. For polyester, use dye sublimation instead — it produces permanent, vibrant results because the ink becomes part of the fiber rather than sitting on top.
You need a DTG printer ($8,000–$16,000), a heat press ($300–$800), pretreatment solution and spray equipment ($200–$500), and RIP software (often included with the printer). Total startup cost ranges from $9,000 to $18,000. Budget another $500–$1,000 for initial ink and blank garments.
About Alice Davis
Alice Davis is a crafts educator and DIY enthusiast based in Long Beach, California. She spent six years teaching textile design and applied arts at a community college, where she introduced students to everything from basic sewing techniques to vinyl cutting machines and heat press printing as practical, production-ready tools. That classroom experience means she has put more sewing machines, embroidery setups, Cricut systems, and heat press units through real project work than most reviewers ever will. At PalmGear, she covers sewing machines and embroidery tools, vinyl cutters, heat press gear, Cricut accessories, and T-shirt printing guides.
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